Also included on this digital edition are four unreleased stereo recordings from the period: One of about a dozen Arkestra albums compiled from recordings made at the Choreographer's Workshop Discogs list of albums featuring this recording location , Art Forms displays Sun Ra's increasing tendency to juxtapose stylistic incongruities on vinyl in the interests of showcasing his versatility—or accommodating restless attention spans perhaps his own. November , Chicago; intended as the follow-up to "Jazz By Sun Ra" but Transition Records ceased to operate before it could be released. Sun Ra's piano, some brass, and a quartet of saxophones compete for airspace with an arsenal of drums, congas and bongos, bells and cowbells, shakers and gongs a good deal of it handled by the reed section. The B-side of the album tracks 5—8 goes back to the first Arkestra sessions, featuring Sunny's emerging "Hard Space Bop. After attending a year, he left the school, situated in the neighborhood of Normal the writers have been a bit too on the nose for a while; it's not a recent trend - ed.
Herman returned to his hometown of Birmingham, where he started rehearsing with a new band and going by Sonny Blount. It also presents the Arkestra as a tight-knit, yet relaxed ensemble, a team of professionals who play to each others' strengths with mutual respect. New York years —68 - Sun Ra and the Arkestra moved to New York City in the fall of , where the Arkestra lived communally and practiced frequently. Therapeutic for some, electroshock for others. YT, title track only -- The discographical murkiness continues with this LP containing four swinging Choreographer's Workshop recordings from on the A-side and a contemporaneous concert fragment on side B. Chicago years —61 - Sunny Blout moved to Chicago, where he played piano for various musicians and singers, among them Fletcher Henderson, Gene Ammons, and Billie Holiday. This digital collection includes the unreleased 45 rpm single version of "Lights on a Satellite," which features the engineer's title cue at the head followed by the album performance drenched in heavy reverb. The album finds the band at a transitional stage between the "hard space bop" of their Chicago days and the avant-garde direction Sunny's music would take in the s. Sun Ra and His Myth Science Arkestra - We Travel the Spaceways -- recordings were made in Chicago from , but the album was not released on Ra's Saturn label until ; ranks as an essential Sun Ra collection, it's chock full of "hits"—or what would be chart-toppers in the perfect Sun Ra universe. In fact, the mix often defies professional engineering standards, as musical hardware that usually provides the foundation occasionally dominates the lead instruments. The revised album title cleverly juxtaposes ancient Egypt with outer space—the primitive with the futuristic, characteristics reflected in the compositions and arrangements. These sessions produced tracks which without organizing logic achieved first commercial release on Saturn LPs throughout the s and '70s. The tracks were taped in New York during two sessions at the Choreographer's Workshop. But first, some background information: The B-side of the album tracks 5—8 goes back to the first Arkestra sessions, featuring Sunny's emerging "Hard Space Bop. This digital release features a previously unreleased stereo version of the title track. Around this time the Arkestra began to perform live wearing space costumes which Sunny designed. The album seems to say: Per what had long been the bandleader's trademark, many titles point to destinations beyond Earth's stratosphere, while paradoxically echoing rhythms and forms inspired by Africa. The three final tracks, each clocking in around five minutes, hint at Ra's elusive live performances Art Forms of Dimensions Tomorrow [reissue with bonus track] -- a key transitional album in the Sun Ra catalog, produced in two sessions shortly after the bandleader's migration from Chicago to New York with a brief stopover in Montreal. Two tracks, "Interplanetary Music" and "Rocket Number Nine," feature the band's ensemble space chants. Interesting for its clear ties to the bop and swing traditions that disappear in later sessions. Stylistically, Fate in a Pleasant Mood veers from ballads to bebop, from free jazz to Ellington-inflected voicings, from the bar blues to strains of crime jazz and cha-cha; an accessible album by the era's standards. The Sun Ra discography is one of the largest discographies in music history.
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